CRWR Technical Seminar in Poetry: Prosody
This course will be a deep dive into prosody. What is prosody? Merriam-Webster describes it as “the rhythmic and intonational aspect of language” — we might also describe it as the way poems move, and how they move their reader. Arguably one of the most important (and least visible) aspects of poetic composition, prosody can teach you to see and write differently. We’ll begin with an introduction to historical metrics (the boring but necessary part), and then move on to studying more contemporary models. Readings will include a bit of scholarly work on prosody by Rosemary Gates and Boris Maslov, but mostly we’ll read poems, from the 12th century to the 21st, that foreground prosody and rhythmic structure. This will be a practice-intensive class—you will be asked to produce several exercises a week, in addition to a final paper or project.
Open bid through my.uchicago.edu. Attendance on the first day is mandatory. Contact the instructor for a spot on the waiting list. Course requires consent after add/drop begins.